🍒 Casino Royale ( film) - Wikipedia

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Quantum of Solace (). Roger Ebert. James Bond. The Golden Compass (​). Roger Ebert. Lord Asriel. Casino Royale (). Roger Ebert. James Bond.


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Casino Royale () - Rotten Tomatoes
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Daniel Craig movie reviews & film summaries | Roger Ebert
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Siskel & Ebert - The Rock (1996)

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full possession of a role he earlier played well in "Casino Royale," not so well in "Quantum" -- although it may not have been entirely his fault.


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Siskel & Ebert At the Movies - GOLDENEYE (1995)

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Film critic Roger Ebert never did a review of CR as he was ill at the time of its release. He is now getting around to reviewing films that he.


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SISKEL AND EBERT REVIEW CASINO 1995, DENIRO, PESCI, RICKLES, PACINO

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At one time or another, "Casino Royale" undoubtedly had a shooting schedule, a script and a plot. If any one of the three ever turns up, it might be the making of.


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"Casino Royale"—the best movie in the fifty-plus-year-old franchise, The final act of "Royale" killed off Bond's one true love, Vesper Lynd.


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"Casino Royale"—the best movie in the fifty-plus-year-old franchise, The final act of "Royale" killed off Bond's one true love, Vesper Lynd.


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Siskel & Ebert Review Scarface (1983)

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Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics.


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Casino Royale - Movie Review

Even the look of "Spectre" makes promises that the film won't keep. Jump Shot Brian Tallerico. Neve Gachev as Clinic Patron. Alessandro Cremona as Marco Sciarra. Maybe it's the script. She reciprocates the craggy killer's affection even though, as she rightly observes, she was living in hiding for years until Bond led the bad guys straight to her. Judi Dench as M. It has subplots, characters and incidents that amount to what genre fans would call "ret-cons. Fourteen Nick Allen. Andrew Scott as Denbigh. Late in "Spectre," we're supposed to believe that Bond is truly attached to his love interest, Lea Seydoux's Madeleine Swann nice double Proust reference there. The actor and the writers give us so little to grab onto that it's hard to sense Bond's feelings, much less feel with him. But an hour or two after you've seen "Spectre" the film starts evaporating from the mind, like "Skyfall" and "Solace" before it. And even by Bond's damn-the-rules, full-speed-ahead standards, the character is such a suitcase nuke in a cable-knit sweater that it's hard to see him as England's or the West's disreputable protector, which is how you pretty much have to see Bond if you're going to root for him. Like Christopher Nolan's Batman, Bond shows up wherever he has to be and escapes certain death as needed, without a hint as to how he pulled it off. The second Craig Bond, " Quantum of Solace ," built a convoluted narrative scaffolding atop 's "Casino Royale"—the best movie in the fifty-plus-year-old franchise, and the only one that would satisfy even if the main character were named Oswald Chutney. This Bond is a sinewy husk of a man, pursing his lips and staring into the middle distance. The final act of "Royale" killed off Bond's one true love, Vesper Lynd Eva Green , which set the stage for an emotionally burned-out, extra-icy Bond investigating a global conspiracy in "Solace" that turned out to be connected to the bad guys he fought in "Royale. But there's little in this film's writing of Bond, or in Craig's performance, to imply that the character is capable of investing in anything more emotionally fraught than a martini mixed with house vodka. The payoff of his character's storyline is so dumb that it makes the "twist" in " Star Trek Into Darkness " seem sensible and heartfelt. If "Spectre" were a great movie, or even a consistently good one, this might be wonderful, or at least intriguing. Their conception owed quite a bit to comic books and to serialized television like "24" James Bond by way of " Die Hard ". But as the character has become increasingly opaque and recessive—so much so that Mendes and company seem less interested in Bond as a cold but complex person than as a sculptural object to light and pose—you may wonder what the point is. Stupider still is Bond's reaction when he finally gets the drop on his nemesis. Or maybe—blasphemy alert—the problem is Craig's performance. Ben Whishaw as Q. Ralph Fiennes as M. Or perhaps the problem is historical fatigue. At least when Tom Cruise offers similar defenses the " Mission: Impossible " movies the latest of which has a plot not hugely different from this one's, come to think of it it's meant to be ludicrous and frothy, not freighted with righteous woe. Between the copious mirror and reflection shots, the surveillance screens and wall-mounted cameras, and Waltz's all-seeing, all-knowing baddie, we're tacitly promised the first James Bond horror movie: a creepy Cubist study in voyeurism and fear, powered by nightmare logic and silhouettes and moments of physical violation; Bond by way of " The Cabinet of Dr. But it's not so great if you're inclined to take the makers of these films at their word, and expect a Bond film like "Casino Royale," something with more brains and nuance than the usual, as opposed to a film that purports to be that kind of movie but is content to posture and strut rather than doing the necessary dramatic spadework. We've been assured by the producers that "Spectre" contains homages to every previous Bond picture. The last three Bond films drew on all of those traditions, plus Bond's own distinctive set of cliches, and set the stage for this fourth Craig outing, "Spectre. Stephanie Sigman as Estrella. Christoph Waltz as Franz Oberhauser. Beyond novelty, such an approach would have made the film's instances of slipshod plotting feel all-of-a-piece, like the "because I said so" storytelling in Nolan's Batman pictures. Valley Girl Peter Sobczynski. And every now and then they come up with bold images, like the silhouettes of Bond and a foe grappling in front of neon signage in "Skyfall," and the overhead shot of Bond entering the bombed-out ruins of MI-6 headquarters in "Spectre" preceded by a shadow four times as long as he is tall. Even in the s they were essentially superhero movies starring an indestructible character who wore street clothes and the occasional wet suit instead of tights and a cape. Caligari " or Fritz Lang's Dr. Mabuse films. Blofeld's chief henchman is a bust, just a muscleman in a suit; he makes a memorably nasty entrance blinding a rival with his thumbs, but from then on, he's all sneers and punches and kicks. It's filled with big sets, big stunts, and what ought to be big moments, but few of them land. He even lures Bond into a ruined building that he's transformed into a combination haunted house and gallery installation, and by the end, he acquires a scar whose gruesomeness rivals the Joker's mouth disfigurement. That's great if you go to films mainly for Easter egg-style trivia in the form of situations and props. Dave Bautista as Mr Hinx. Omelets, eggs. Powered by JustWatch. He ran, jumped, drove and flew through loosely connected setpieces that borrowed whatever cliches happened to be popular in action cinema at that moment and amped them up with more beautiful locations, bigger explosions, cornier jokes, and lush, loud music by John Barry. The crew teams "Skyfall" director Sam Mendes with production designer Dennis Gassner and cinematographer Hoyte van Hoytema " Interstellar " and fills the screen with deserts and lakes and forests and mountains and historic skylines and converging perspective lines and tastefully arranged rectangles-within-squares and shallow planes of focus the movie often seems to be in 3-D even though it's not , but too often ends up looking rather like a SuperBowl ad for cell phone service or cologne. If you loved all that stuff, you'll adore "Spectre," which revives the titular organization from the Sean Connery era Bond flicks. In the pre-credits sequence, Bond wreaks destruction on Mexico City, creating an international incident that gets him suspended for the umpteenth time; when he argues that the terrorists he was trying to foil would've caused more damage, he sounds like a parody of the sort of hero who would say such things. Film Credits. Matt Zoller Seitz November 03, Now streaming on:. Naomie Harris as Eve Moneypenny. Clementine Nell Minow. It's credited to a murderer's row of gun-for-hire writers, but it can't seem to come up with anything but undistinguished chases and fights and quips pasted together by exposition that's half baked even by Bond standards. Rory Kinnear as Bill Tanner. Monica Bellucci as Lucia Sciarra. Blofeld fizzles, too. The new superhero films featured fussy world-building and onion-layered subplots doled out over many films and many years. But this is a weirdly patchy, often listless picture. The Craig Bonds are so expensive and expansive that they can't help but impress with sheer scale. Daniel Craig as James Bond. Bags of Scrabble tiles make more sense. Even by the generous standards of Bond pictures, which have been graded on a curve since , "Spectre" has to be considered a missed opportunity. It retroactively forces connections between "Royale," "Solace" and " Skyfall ," by way of a video-recorded warning sent to Bond by his old boss M Judi Dench right before her death, urging Bond to follow the trail from Mexico City to Italy to Morocco and beyond, and dig to the bottom of the conspiracy that claimed so many agents' lives. This film won political correctness kudos for casting Monica Bellucci as Bond's first age-appropriate lover she's two years older than Craig , but "Spectre" itself squanders her in two scenes, then ditches her for the year old Seydoux. Now playing. Jesper Christensen as Mr. The movie feels like a culmination of everything the franchise has been building toward since Craig stepped into the part in "Casino Royale. What's the problem? Given the franchise's lineage, it was only a matter of time before the producers went the extra kilometer and started modeling the Bond films on the Batman and Marvel franchises. Latest blog posts.{/INSERTKEYS}{/PARAGRAPH} Whatever the explanation s , "Spectre" is the third Bond film in a row to write conceptual and dramatic checks that the movie itself can't cash. If Mendes didn't keep finding original ways to stage unoriginal moments, this film's star rating would be lower than it is. Courtesy of "Skyfall," it has a mythology that turns Bond into Batman minus the cape and cowl, and boasts a Bond version of Stately Wayne Manor; an Alfred-the-butler figure Albert Finney in "Skyfall" ; a tragic orphan back-story repeated via the death of Dench's matriarchal figure, who's even called "Mum" , and a Joker-type bad guy Javier Bardem's fey torturer. We're at the point now where these films are consistently more fun to anticipate than they are to watch. Alessandro Bressanello as Priest. Z Brian Tallerico. But of course "Spectre" can't give us that, because Bond films are products before they're anything else, and products aren't allowed to challenge or upset people. {PARAGRAPH}{INSERTKEYS}James Bond films are, and always have been, more imitative than innovative. This new old, really villain makes Bardem's character in "Skyfall" seem like a junior Joker at best, if that. Reviews Spectre. Waltz, who tends to give the same performance over and over with minor variations but at least has the decency to be a hoot each time, is in "Spectre" only slightly longer than Bellucci, and has been drained of the glee he displayed in Quentin Tarantino's films. The media campaigns tend to be more cunning and surprising than anything that ends up onscreen. Rated PG for intense sequences of action and violence, some disturbing images, sensuality and language. Or maybe the problem is the production itself.